最后期限2024

当代都市 　　申报单位：湖南风芒传媒有限公司

　　在从拘留中心获释后，无证移民艾莎搬到了纽约市，发誓要逃离追逐她的种种困境。在皇后区，她爱上了刚退伍的军人斯金纳，他们互相扶持，共同面对在美国开始新生活的种种复杂挑战。这是一个关于两个被世界遗忘的人的深刻而真实的爱情故事。

影片改编自真实故事，讲述两名时运不佳的音乐人（休·杰克曼与凯特·哈德森 饰）组成一支充满欢乐气氛的尼尔·戴门致敬乐团，证明了寻找爱情和追逐梦想永远不会太晚。

　　《蜘蛛男》是“江户川乱步作品集”第七卷。故事开头，怪绅士稻桓租下了一间事务所，把它重新装修成美术艺品店。第二天开业时聘用了一名十八岁的美少女，但当天晚上就奸杀了这名少女。接下来的几天内报纸社会版头条陆续刊登了“碎尸案”、“美人鱼案”。民间犯罪学者畔柳博士接手此案，在与蓝胡子稻桓正面交锋的过程中屡屡败下阵来，直到环游归来的明智加入侦破阵营……，故事从读者预测不到的角度展开，是一部名探与杀人狂的斗智故事。

　　1453年，东罗马帝国陷落后，地处中欧的神圣罗马帝国，不得不直接面对土耳其人的侵扰。土耳其人热衷扩张，虽然他们信奉伊斯兰教，但他们认为他们才是真正的“罗马皇帝”，神圣罗马帝国的皇位，已由哈布斯堡王朝掌权两百年，他们是基督教世界的最后保卫者，双方再维也纳一决高下：一方信誓旦旦，另一方誓死捍卫。

因父亲挑起新旧敌对帮派的激烈地盘斗争，身为儿子的他则试图掌控腥风血雨的台湾黑社会，在兄弟情与自身处境的夹缝中被迫前进。外部敌对势力步步进逼，内部也因误会与压力而开始产生裂缝，使得情义不再是理所当然的依靠……

老甘常年守在劳务市场靠打零工，常常无功而返。为此，正在上高中的儿子打心眼里瞧不起父亲，父子关系紧张。老甘邂逅多年的朋友老肖，为其打工，可好景不长，老肖另辟生意，于是建议老甘把车买走，可老甘没钱，只好作罢。老肖临走时为老甘找了一个稳定的工作，然而,命运再次捉弄了老甘，他不得不放弃了这个工作。一筹莫展的老甘决定筹钱买了老肖的卡车，在欠了老肖一部分车款的同时，还在一家小额贷款公司贷了高利贷。 　　老甘开车在劳务市场雇佣了一个“老实巴交”的帮手老付。工作一天后，老父偷走了老甘倾尽所有才买到的卡车。老甘彻底绝望，儿子决定帮助父亲去寻车。    经过一系列匪夷所思的经历，父子二人终于找到了卡车，但幕后黑商洪爷不会轻易放过他。

A psychoanalyst is sentenced to community service following a traffic accident and is assigned to provide therapeutic support to a police agent devastated by his wife’s infidelity. The two will face unimaginable dangers together.

1939年繁昌保卫战，新四军排长朱振率队护送握有日军南京暴行证据与作战计划的记者陆瑛。遭日军围追堵截，队员接连牺牲，历经雪原伏击、山洞激战等生死考验，最终朱振殉国，陆瑛成功送证，助新四军获胜，日军罪行曝光。

Stephen Seary, a charismatic and successful stage designer, returns to his small hometown in Australia to say goodbye to his dying mother. What was to be a quick trip descends into chaos, drama, and at times downright funny moments as Stephen navigates family responsibilities, a difficult relationship with his father, old friends and past lovers, all while trying to return to E...

　　Beautiful and raw combination of lyricism and realism in debut drama about a woman with cancer running to her gorgeous, polluted home island to face herself.　　When Noelia finds out that her cancer has spread, she sets aside the search for new procedures and abruptly goes from San Juan back to Vieques, the island where she grew up in southwest Puerto Rico. At home with her mother, in this place with which she is intimately tied (where the beaches are as marvelous as the sea is polluted, in the traces of US colonialism), she seeks her individual strength and takes part in environmental activism one last time. At the same time, a hurricane approaches. Glorimar Marrero Sánchez creates her own visual language in a film that tells us about disfigured bodies and land, and that both enchants and simplifies. A magnificent Isabel Rodriguez in the leading role gives Noelia dignity and an enormous power. And mediates that there is also a light in grief.