赶山人传奇

　　七月酷暑，斯洛伐克炎热异常。事业家庭两帆风顺的米赫，与妻女过着令人称羡的生活。这天，妻子要他顺路开车送女儿上学，米赫途经幼儿园、旋即进公司投入毫无喘息时间的忙碌日常。这边招呼新来主管，那边处理私人琐事，一如往常地分身乏术。岂料，午后妻子的一通来电询问，让他的人生急坠直下⋯⋯

改编自爆款《我的错误》三部曲作者Mercedes Ron的另一部Wattpad热作《Dímelo bajito (Say It to Me Softly)》。 　　Fall in love with the Di Bianco brothers.Your best friends. Your biggest downfall. 　　Kamila Hamilton had everything under control ... or so she thought: it was not at all in her plans for the Di Bianco brothers to return once again and turn her world upside down. 　　Thiago was her first kiss. Taylor, the...

黄浦江畔，杀机四伏，规则是否能由“她”重写？刀光里是黑帮的血腥，阴影下是性别枷锁的崩裂——多年银幕未见之大女主暴力爽片。 　　卧龙帮少主武青青，家族遭戮，自身遭叛，从猎物化身猎手；她隐于暗处，每一张笑脸背后，都可能藏着致命的匕首，日本商会登堂入室，内鬼隐匿于至亲之间，无间道中再掀无间，信任是奢侈品，每一步都是悬崖！她将如何撕下那一张张虚伪面具？奸，是叛帮之徒，是入侵之敌，还是枕边之人？ 　　风暴已至，“除奸”成为唯一信条……

　　标题中的「ぶぶ漬け（お茶漬け）どうどす」是一句众所周知的京都表达，京都人常用这句话以委婉的方式传达「差不多该告辞了」的意思。电影《ぶぶ漬けどうどす》以此为主题，展现了因京都特有的县民性而引发的各种闹剧，并展开了一段充满喜剧色彩的故事。影片以从东京嫁到京都老字号扇子店的自由撰稿人澁澤まどか为主人公，描绘了〈京都人〉与从东京而来的〈外地人〉之间的攻防与冲突。

　　在天眼尚未密布，监场保安仍会打瞌睡的二十世纪七十年代，名画大盗就是会光天化日，大剌剌走进美术馆，直接把猎物从墙上取下放入布袋运走。看似儿戏的一切，背后主谋还要是住在市郊、人畜无害的住家男人。凯莉·莱卡特完全弃用好莱坞盗宝片叙事公式，改以其擅长的左翼简约主义镜头，捕捉触犯艺术罪行者的日常生活、双面人的言行处境，以及事件周遭人情冷暖。阿瑟多夫的抽象画作未必是一个借口，但到头来凸显存在荒谬的公路逃亡，俨然为观众添加了不少欣赏和思考的层次。

　　It follows a teen who after being kicked out of the house by their parents, embarks upon a journey of self-discovery that teaches them about love, friendship, and family.

　　他们说，只要与酒馆里的酷儿对到眼，就会染上瘟疫。1980年代，智利北部沙漠矿镇一角，变装皇后华丽登台。花前月下，媚眼勾魂，搅乱一池春水，酒馆花魁命丧孽海。无法治愈的咳疾、遍布全身的肉瘤，为谣言添柴加火，更摧毁了女孩莉迪亚与一众乾妈的乌托邦。人们蒙得了酷儿的双眼，却止不住对爱欲的渴望。比生命还坚韧的爱，能否带莉迪亚寻得这场瘟疫的真相？

Sore从未来穿越回过去，只为改写她丈夫Jonathan的命运。但命运从不轻易让步——当过去、现在与未来交织，她与Jonathan的爱情也陷入无法逃脱的时间迷宫。

驱魔龙族马氏家族传人马小玲（吴千语 饰），肩负着除邪惩恶的家族使命。而二流侦探况天佑（黄宗泽 饰），则凭借奇特能力屡破奇案。但实际上他一直在掩饰着不死不灭疯狂噬血的“血族”身份，本来相安无事的日子，被一道“暗影”打破，两人在调查一起暗影袭击的事件中相遇，出生入死的瞬间，百年恩怨所结下的宿命之锁，似乎已悄然解开……

　　虽然有像亲兄弟一样的脱北者朋友，但为了隐藏自己同性恋身份而感到孤独的脱北青年哲俊，平生第一次鼓起勇气踏入韩国同性恋社区。在酒吧认识的邻里朋友英俊的帮助下，哲俊很快融入了同志圈，但却因一个微小的误会导致人际关系网开始出现裂痕，让哲俊倾注了全部心血的社区陷入了动荡…

　　Beautiful and raw combination of lyricism and realism in debut drama about a woman with cancer running to her gorgeous, polluted home island to face herself.　　When Noelia finds out that her cancer has spread, she sets aside the search for new procedures and abruptly goes from San Juan back to Vieques, the island where she grew up in southwest Puerto Rico. At home with her mother, in this place with which she is intimately tied (where the beaches are as marvelous as the sea is polluted, in the traces of US colonialism), she seeks her individual strength and takes part in environmental activism one last time. At the same time, a hurricane approaches. Glorimar Marrero Sánchez creates her own visual language in a film that tells us about disfigured bodies and land, and that both enchants and simplifies. A magnificent Isabel Rodriguez in the leading role gives Noelia dignity and an enormous power. And mediates that there is also a light in grief.

　　Beautiful and raw combination of lyricism and realism in debut drama about a woman with cancer running to her gorgeous, polluted home island to face herself.　　When Noelia finds out that her cancer has spread, she sets aside the search for new procedures and abruptly goes from San Juan back to Vieques, the island where she grew up in southwest Puerto Rico. At home with her mother, in this place with which she is intimately tied (where the beaches are as marvelous as the sea is polluted, in the traces of US colonialism), she seeks her individual strength and takes part in environmental activism one last time. At the same time, a hurricane approaches. Glorimar Marrero Sánchez creates her own visual language in a film that tells us about disfigured bodies and land, and that both enchants and simplifies. A magnificent Isabel Rodriguez in the leading role gives Noelia dignity and an enormous power. And mediates that there is also a light in grief.